Phoenix Sky Harbor
International Airport

Terminal 3 Museum Exhibitions

For images or additional information, call (602) 273-2744

Art Ungrounded
Flight and Artistic Imagination

Through Aug. 26, 2018
Terminal 3, Level 4 gallery

Birds flying upward over yellow sky with dark gray trees on both sides.Osprey, acrylic on panel 30 x 24,  2013Winged creatures of the natural world have fascinated humans since the dawn of civilization. We have envied these airborne, lighter than air or free-flying critters for their ability to leap from the earth, escape gravity and ascend to the skies. We have observed and studied them to understand the mystery of flight and we attach our own meaning to it.

Bringing together both the real and make-believe, artists in this exhibition interpret winged imagery in their own unique way. Included are painted ethereal landscapes depicting the grace and motion of birds in flight as well as surreal imagery of butterflies and bees that offer the viewer their own interpretation. Other paintings feature brightly colored and detailed illustrations of bats and birds in lush habitats that are natural, fanciful or invented. 

Let your imagination transcend reality as you view these paintings that soar beyond nature to the world of Art Ungrounded.

Image Captions:
(above left) Frank Gonzales, Osprey, 2013, acrylic on panel
(above right) Candice Eisenfeld, Through Forests, 2011, oil on canvas

Worn as Art
Reversible Capes by Eleanor Bostwick

Terminal 3, level 2 display case

Capes have been around for centuries and have evolved cape made with paper beadsfrom a very basic piece of apparel to clothing that may signify power, flair or occupation. For fiber artist Eleanor Bostwick, the cape has also been a vehicle for artistic exploration and expression.  

Eleanor BostwickOver a period of three decades, Eleanor Bostwick created a series of eight unique capes. They are all reversible and similar in basic form, but that is where their similarity ends. Each cape is executed in different combinations of materials such as silk, wool, taffeta, beads and leather. She incorporates various fiber art techniques including hand-weaving, applique, embroidery and quilting. All of the capes are rich with layers of meaning and detail.

To watch a five minute interview with Eleanor Bostwickclick: Art Over Your Shoulders

“As an artist I believe that by shaping works to be worn as art, I am blending creative vision into our everyday lives.  To me, this represents the power and significance of art.” - E.B.

Image Caption:
(above right) Eleanor Bostwick, Fantasia, 1995, 10,224 hand-rolled paper beads, crocheted silk yarn

Stories From a Local Community
Paintings by Frank Ybarra

Terminal 3, level 4, post-security

boys swimming in a canalEach of these paintings by local artist Frank Ybarra illustrate storiesMariachis with guitars in a church gathered from former residents of neighborhoods surrounding Phoenix Sky Harbor International Airport. These communities, known as Golden Gate and Barrios Unidos (United Neighborhoods), were home to primarily Latino families. 

The illustrations commemorate their everyday activities as well as special occasions and celebrations.  They represent stories of love and pride, church and family, work and play. Quinceañeras, swimming in canals, dancing at local ballrooms, picnicking in the parks and the music at Sunday Mass are all reminders of the rich culture of a local community.

Image Captions:
(above left) Frank YbarraThe Canal2009, acrylic on canvas
(above right) Frank YbarraPlaying and Singing at Mass2009, acrylic on canvas

American Organic Architecture in Arizona
The Heritage of Frank Lloyd Wright

Terminal 3, Level 1, restrooms near baggage claim

exhibition image of architecture

Long before “going green” or sustainability was a consideration in building, Frank Lloyd Wright coined the phrase “organic architecture” in the early 1900s to describe his architectural philosophy. Though not the first to be influenced by the harmony within nature, his creation of structures striving for balance with their environments would forever change American architecture.

Seeking to interpret (not mimic) the forms created by nature, Wright believed that interior spaces shaped the exterior. He also wanted interior spaces to flow from one area to another. Through this design process, a building would grow organically as its environment (interior and exterior) shaped it. He was not only concerned with using natural materials, and the building being an extension of its environment, but how people would occupy it. “Form and function are one” would become one of his oft repeated phrases.

Organic architecture was a dramatic departure from the European-influenced buildings built in the early 1900s. This would become Frank Lloyd Wright’s lasting legacy -- proposing and creating distinctive American architecture.

Arizona’s landscape has been undeniably influenced by Frank Lloyd Wright and his interpretation of organic architecture. Taliesin West, Wright’s winter home and school in Scottsdale, drew many talented architects here to study. This exhibition presents images and architectural plans of Arizona structures designed by Wright and other architects influenced by the philosophy of “organic architecture.”


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