Note: The Museum Gallery in Terminal 4 is temporarily closed. Please check back for updates.
Series: Works Together
Drawings, Prints, Paintings
Terminal 4, level 3, in two locations (east and west of food court)
Through Aug. 23, 2020
The whole is greater than the sum of its parts. A series may be a group of related television episodes, sporting events, books or artworks presented together to create a more complete story. For artists, working in this format allows for exploration, investigation and opportunities to go deeper into a theme resulting in a more unified body of work.
This exhibition presents paintings, drawings and fine art prints created by Janet Towbin. Artworks are displayed in their themed groups allowing one to simultaneously observe the nuance of individual pieces and the continuity of the series. Viewing artwork this way gives one a better sense of the art and what the artist may be trying to convey.
Motivated by curiosity and an obsession to see “what if...”, Towbin continually experiments with concepts, themes and materials. In her series, Towbin creates one artwork, then related additional works that are similar, yet different. With each new work she may change the color, scale or medium - developing a series that works together.
Image caption: Janet Towbin, Morris Mirror, 2013, graphite on paper
Memory and Mystery
Paintings by James G. Davis
Terminal 4, level 3, eight cases on east and west ends
Through April 5, 202 0
James G. Davis (1931-2016) had an affinity for observation. As an artist, he incorporated his personal recollections into paintings, creating narrative art or artwork that tells a story. He integrated reflections from his travels, experiences and everyday scenes along with surreal elements. His visual stories may not be totally clear or complete, allowing the viewer to fill in the gaps with their own imagination.
Growing up in Springfield, Missouri, Davis suffered trauma when his foot was pinned beneath a train. During his recovery, he was mostly immobile, which led him to discover a passion for drawing. He later studied art at Wichita State University in Kansas and eventually arrived at the University of Arizona in Tucson, where he taught for 21 years. Davis was a long-time resident of the Rancho Linda Vista artist community in Oracle, Arizona, but exhibited his work around the world.
This exhibition presents thirteen large-scale, colorful and complex paintings in eight display cases. The work offers a glimpse into Davis’ personal view of the world, from a bar scene in Barcelona to everyday scenes like working as a bellhop. Davis’ paintings are layered with rich textures, collaged elements and found objects as well as metaphor, memory and mystery.
Image caption: James G. Davis, Berlin; Man with Electric Hair, 1987, oil paint on canvas, image courtesy of the Tucson Museum of Art
Art on a Cellular Level
Terminal 4, level 3 gallery
Through June 14, 2020
Science and art have a lot in common. Driven by curiosity, both fields involve exploration and discovery. Relying on observation, scientists and artists both attempt to understand and describe the world around us. They strive to see things in new ways and to communicate that vision.
While science may embody the rational, art expresses the aesthetic. This exhibition presents the work of seven artists that draw inspiration from the natural environment. With an interest in living organisms, these artists create works that celebrate the richness of life on our planet.
Artists, like scientists, utilize processes to make the unseen visible. They imaginatively represent things that we would need a microscope to see. From molecular structures of DNA to patterns of organic forms to the intricacies of human anatomy, these artists draw, paint, sculpt or construct Art on a Cellular Level.
Image caption: Monica Aissa Martinez, Her, 2015, casein, gesso, gouache, graphite, ink, micaceous iron oxide, colored pencil
The Art of Guitar Making
Terminal 4, level 2, near ticketing
Through May 2020
In our fast-paced, technological world of seemingly endless mass production, there are still some who desire to create with their hands. This is especially true for guitar players who design, build and repair their own instruments. The art of guitar-making, or Luthiery, allows skilled craftsman to turn raw materials into unique instruments.
The Roberto-Venn School of Luthiery, based in the heart of Phoenix, has supported aspiring guitar builders for over four decades. Students from around the globe come to attend North America’s oldest and only accredited guitar-making school. At Roberto-Venn, people that are passionate about music can learn the old-world craft of creating a guitar by hand.
From selecting wood to finishing techniques, students learn every aspect of guitar construction. They discover how the design and assembly of each element affects how the guitar will play as well as the instruments visual aesthetic and artistry. By merging tradition with innovation and creativity, students at Roberto-Venn are shaping sound.
Image caption: Scott Walker, Santa Cruz Patina, patina-finished guitar on mahogany wood